The World Premiere of NOIR — a Multimedia
/ Dance / Theater Mystery — begins
April 23rd to May 2nd: Thursdays through Saturdays
Limited Engagement: Only 6
performances!
Tickets available through TheaterMania
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OUR DIRECTOR HAS JUST BEEN SHOT!!!
Adhesive Theater Project presents the world premiere of
NOIR — a Multimedia
/ Dance / Theater Mystery written by Kalle Macrides, directed
by Cory Einbinder, and presented in collaboration with Laura Peterson
Choreography and the New York City College of Technology.
See ground breaking technology and innovative theater
design at work in a brand-new, old-time noir mystery.
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Yes, it's true! Hollywood filmmaker
Eddy Chandler has just been shot. As he rewinds the
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moments that led to this tragedy he uses his filmmaking
techniques of manipulating time and image – while maneuvering
through a real world of femmes fatales and kneecap busters
– to uncover the truth about his would-be murder. Follow
Eddy's journey as he enters a plot more
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sinister than his own noir thriller.
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In Hollywood, life moves at 24 frames
per second.
You better not blink!
NOIR World Premiere:
April 23rd through May 2nd
Thursdays through Saturdays at
7:30 pm
At:
New York City College of Technology's Voorhees Theatre
186 Jay Street, Downtown Brooklyn
( F train to York St
or A/C train to High St)
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Featuring:
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Drae Campbell, Bhavna de Montebello, Corinne Donly,
Stacia French, Steven Gillenwater, Joe Gregori,
Christopher Hutchings, Matt Korahais, Kate Martel,
Jared Mezzocchi, Debbie Troché, Katarina Vizina
and the Evil Horns.
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Tickets are $12 available online or by phone
through TheaterMania:
212-352-3101(NYC) or
866-811-4111(toll free)
For Reservations and $5 Student tickets please call: 718-260-5592
For more information please visit: www.adhesivetheater.com
We hope to see you there!
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NOIR – Creative
Staff
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Written by: Kalle Macrides
Directed by: Cory Einbinder
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Production Designer Cory Einbinder
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Choreographer Laura Peterson
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Costume Designer Deborah Hertzberg
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Lighting Designer James Hergen
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Sound Designer David B. Smith
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Video Designers Linsey Bostwick
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Musical Director Tara Gladden
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and Cory Einbinder
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Band Leader Nicole D'Agostino
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Dramaturg Allison Lyman
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Assistant Director Drae Campbell
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Production Manager Sarah Conyers
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Stage Manager Toija Riggins
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Interactive Systems Jared Mezzocchi
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Assistant Costume Designer Brittany Vaughan
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Ophra Wolf, Cory Einbinder,
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Assistant Sound Designer Kumi Ishizawa
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and Linsey Bostwick
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Assistant Stage Managers Travis Fraser and Feng yu Liao
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Musicians / Band Evil Horns:
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Nicole D'Agostino (sax),
Domenica Fossati (flute),
Curt Garey (drums),
Aaron Goldsmith (bass)
and
Gabriel Lit (clarinet)
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and more
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All of the music for NOIR was collaboratively composed by
Nicole D'Agostino,
Domenica Fossati,
Curt Garey,
Tara Gladden,
Aaron Goldsmith
and
Gabriel Lit
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NOIR is made possible with public
funds from the New York State Council on the Arts and the New
York City Department of Cultural Affairs. In Kings County the
Decentralization Program is administered by the Brooklyn Arts
Council, Inc. ( BAC).
Adhesive Theater Project has received funding from the 2009 JPMorgan
Chase Regrant Program, also administered by the Brooklyn Arts
Council, Inc. ( BAC).
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Adhesive Theater Project is celebrating
its 10th year of creating experimental cross-disciplinary work
through collaboration with professional artists of all mediums,
particularly those with a non-theatrical background - from
fashion designers to blues musicians, engineers to illustrators.
By challenging these artists to work in the theater we create new
perspectives for live performance. By
integrating live music, visual arts, metaphor, and narrative
storytelling, we create epic experiences that excite the audience's
imagination.
Be the glue that keeps us together
- become an Adhesive Theater Project donor.
Please consider making a 100%
tax-deductible donation to Adhesive Theater Project.
Even the smallest donation goes a long,
long way.
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Adhesive Theater Project's works have been described as:
- "especially memorable...creative,
interesting...witty..." -- New York Times
- "Nothing short of extraordinary... Stunningly
theatrical, moodily evocative, and even a little scary
at times...crackles with invention and intelligence."
-- NYTheatre.com
- "Einbinder genuinely succeeds." --
Village Voice
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at any time via our web site's:
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